[Yamanaka Lacquerware] Floating Leaf Olive
A close view of an adult gently holding the olive Floating Leaf lacquerware piece
A woman placing a pale pink confection on the green Floating Leaf Olive dish at a stone table.
A woman setting Floating Leaf Olive with a chocolate beside a dinner plate at an evening table.
The empty Floating Leaf Olive dish displayed on pale stone against a plain light wall.
The empty Floating Leaf Olive dish on a neutral runner over a wooden console near books, a vase, and artwork.
[Yamanaka Lacquerware] Floating Leaf Olive
A close view of an adult gently holding the olive Floating Leaf lacquerware piece
A woman placing a pale pink confection on the green Floating Leaf Olive dish at a stone table.
A woman setting Floating Leaf Olive with a chocolate beside a dinner plate at an evening table.
The empty Floating Leaf Olive dish displayed on pale stone against a plain light wall.
The empty Floating Leaf Olive dish on a neutral runner over a wooden console near books, a vase, and artwork.
Hana to Urushi LLC SKU: BJ_P_00047

[Yamanaka Lacquerware] Floating Leaf Olive

Price
Regular price ¥23,834
Regular price Sale price ¥23,834
Save ¥-23,834
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Product Details

PRODUCT DETAILS

A leaf form, lifted lightly

Floating Leaf Olive pairs an organically contoured surface with a compact raised base, giving the piece a poised, sculptural profile. Made from natural alder wood and finished with lacquer, its olive tone allows the grain to remain visually present. At 120 mm across and 50 mm high, it brings Yamanaka craft to a small scale.

USE & APPRECIATION

Floating Leaf Olive for small presentations

Olive color, viewed up close

Before arranging the table, hold Floating Leaf close and follow the green lacquer across its surface. The softly irregular rim makes the small wooden dish interesting from more than one angle.

A close view of an adult gently holding the olive Floating Leaf lacquerware piece

A small confection framed in green

Give one small confection its own setting for a tea break. Olive lacquer frames its color, while the raised leaf form adds height without making the serving elaborate.

A woman placing a pale pink confection on the green Floating Leaf Olive dish at a stone table.

An evening detail beside the plate

Bring a quiet green accent to the end of an evening meal. A small sweet on Floating Leaf has a place of its own, with the lifted profile offering contrast beside a flat dinner plate.

A woman setting Floating Leaf Olive with a chocolate beside a dinner plate at an evening table.

See the leaf form against pale stone

Between uses, set the empty dish against pale stone and enjoy the outline. Its narrow base makes the leaf-like top appear lightly raised, letting shape and lacquer carry the arrangement.

The empty Floating Leaf Olive dish displayed on pale stone against a plain light wall.

Give the console a green accent

Add one green detail to a console or shelf. Floating Leaf sits comfortably beside linen and wood, giving the room a small craft object to appreciate even when nothing rests on it.

The empty Floating Leaf Olive dish on a neutral runner over a wooden console near books, a vase, and artwork.

OBJECT PASSPORT / CARE & USE

Care & Handling

Care summary for Floating Leaf Olive showing dishwasher, heat, cold, submersion, sunlight, and abrasion precautions

Outdoor use is permitted. Keep the piece out of direct sunlight, avoid prolonged submersion, and do not scrub it with hard objects.

OBJECT PASSPORT

Product details

Dimensions
120Φ×50Ｈ mm
Material
Natural wood (alder); surface: lacquer finish
Product weight
40 g
Origin
Japan
Craft Heritage

CRAFT HERITAGE

Craft Heritage

Yamanaka Lacquerware dates to the late 16th century, when a group of woodturners moved into the area in search of suitable timber and began shaping wood on lathes. The craft became established around Yamanaka Onsen.

By the middle of the Edo period, artisans were making everyday objects such as bowls and trays, as well as souvenirs for visitors to the hot-spring town. Lacquering and maki-e techniques were introduced in the early 19th century, laying the foundation for the raised Yamanaka taka-maki-e practiced today.
How It’s Made

TRADITIONAL CRAFT PROCESS

How It’s Made

About the Making Process

Yamanaka Lacquerware is made through four principal stages: forming the wooden body, preparing the foundation, applying the final lacquer coat, and adding maki-e decoration.
Properly dried wood and precise turning help prevent distortion.
Although the foundation is hidden in the finished piece, it supports both the vessel's strength and the quality of the final lacquer surface.
The lacquer is built up through repeated coating and sanding, with curing carefully managed in response to humidity and weather.

1. Kiji (Wooden Body)
  • Zelkova and Japanese horse chestnut are the principal woods. Each blank is cut vertically along the grain to minimize warping.
  • The craftsperson shapes the wood on a lathe using handmade kanna and other turning tools. Advanced decorative turning may add sensuji grooves or zogan inlay.
2. Shitaji (Foundation)
  • A mixture of lacquer and jinoko powder is applied and sanded.
  • Repeating this process strengthens the wooden body and creates a smooth surface.
3. Uwanuri (Final Lacquer Coat)
  • Black, vermilion, or another lacquer is applied with a brush.
  • The final coat is applied with great care to prevent even the finest airborne dust from settling on the surface.
4. Maki-e
  • Gold, silver, or other metal powder is sprinkled over motifs drawn in lacquer.
  • Subjects range from traditional designs and scenes of nature to geometric patterns, creating a finely detailed decorative finish.
Meet the Maker

MEET THE MAKER

Meet the Maker

MAKER · YAMANAKA, ISHIKAWA

Yamanaka Lacquerware, Seen Through a Floral Eye

YUIYU brings together the perspective of floral design and the accumulated skills of Yamanaka lacquerware. The brand explores organic forms inspired by nature and new possibilities in color through wooden lacquerware for contemporary interiors and daily life.

Portrait of a smiling woman in a white blouse.
Naoko Tanabe, Connecting Flowers and Craft

Naoko Tanabe is the floral designer behind YUIYU. She developed the brand to connect the traditions of Yamanaka with contemporary life, and to bring attention to the people whose work is often present in an object but absent from its story.

During the brand's development, Tanabe traveled repeatedly between Tokyo and Yamanaka Onsen. Color and form were not settled on paper alone. They were refined through prototypes and conversations with the craftspeople who understood how different woods, tools, and layers of lacquer would respond. When a color appeared uneven or brighter than intended, or a shape needed to work better in the hand, the design returned to the workshop for another round of judgment.

Many Hands, One Object

Yamanaka lacquerware is built through specialized work. One person may turn the wooden form on a lathe; others may refine lacquer, prepare the ground, or apply and wipe successive layers. YUIYU’s lacquerware takes shape through this collaboration among specialist craftspeople.

Techniques passed down in Yamanaka lacquerware include rokuro-biki, or lathe turning, which shapes the wood; sensuji, which creates fine grooves on a rotating surface; and fuki-urushi, in which lacquer is repeatedly applied and wiped back to reveal the wood grain. These techniques reflect specialist knowledge of wood and lacquer, together with the careful judgment of craftspeople.

Tradition as a Living Relationship

The name YUIYU repeats the Japanese character *yui*—to bind or connect. It expresses a wish to connect people, nature, culture, and the skills held in Yamanaka Onsen. The aim is not to make tradition appear modern by removing its history. It is to create a new reason for that history to remain in use: at the table, in a room, and in the rituals of everyday life.
Shipping Information

Shipping to the United States

We currently ship online orders to all 50 U.S. states and Washington, D.C., including Alaska and Hawaii. U.S. territories and countries other than the United States are not currently included.

Estimated arrival

Estimated arrival is usually within 5–10 business days after payment and order confirmation. This is an estimate and not a guaranteed delivery date. Timing may vary because of the destination, carrier conditions, customs review, weather, remote-area service, or other circumstances outside our reasonable control.

Shipping charges

Enter your delivery address at checkout to review the available delivery option, shipping charge, and complete order total before payment.

Duties and import taxes

U.S. orders are shipped on a Delivered Duty Paid (DDP) basis, regardless of order value. Where duties, import taxes, or related import charges apply, the amount collected by BRAND JAPAN is shown at checkout. You should not ordinarily be asked by the carrier to pay those charges again upon delivery. If a carrier requests an unexpected import payment, do not pay it immediately; contact us with your order number and the carrier's notice.

Damage or incorrect delivery

If the parcel or item arrives damaged, contact us within 48 hours of delivery. For an incorrect or incomplete order, contact us within 14 days. Keep the item, outer box, inner packaging, and shipping label, and prepare photographs showing their condition. Do not return an item until we provide instructions.

Read the full Shipping Policy for carrier, address-change, delay, and undeliverable-shipment details.

Questions? Email store@brand-japan.ne.jp. Support hours are Monday–Friday, 10:00–18:00 Japan Standard Time, excluding Japanese public holidays.

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