[Yamanaka Lacquerware] RIN Bowl M Lilac
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PRODUCT DETAILSAn undulating lacquered form, balanced between vessel and objectRIN Bowl M Lilac brings Yamanaka lacquerware into a light, hand-scaled form. Made from natural kobushi wood with a lacquer-coated surface, it pairs a deep curve with a rim that rises and falls...
PRODUCT DETAILS
RIN Bowl M Lilac brings Yamanaka lacquerware into a light, hand-scaled form. Made from natural kobushi wood with a lacquer-coated surface, it pairs a deep curve with a rim that rises and falls in an organic rhythm. At 120 millimeters across, 60 millimeters high, and 40 grams, it offers a distinct silhouette for both use and close appreciation.
USE & APPRECIATION
Place the bowl empty on a stable surface and let its silhouette lead. The 120-millimeter span is compact enough for a composed setting, while the opposing rises of the rim create a sense of movement. A restrained backdrop allows the curved wall, visible grain, and lacquered sheen to remain the focus.

Support the empty bowl from below with both hands to appreciate how little material carries the form. Its 40-gram product weight contrasts with the depth of the curved wall, and the changing rim height becomes easy to trace at close range. Return it gently to a dry, stable surface after viewing.

Set the bowl beside chopsticks, a folded napkin, or another simple table object, keeping the vessel empty so its interior remains visible. The lacquered wood introduces depth without crowding the arrangement. Keep the scene at room temperature: microwaves, ovens, induction cooktops, refrigerators, and freezers are not permitted for this piece.

Between uses, give the bowl space on an open shelf or side table. Viewed from a lower angle, the rim's rise and fall reads almost like a small landscape, while a gentle turn reveals different passages of grain. Keep the display indoors, dry, and away from direct sunlight.

For an outdoor moment, place the bowl only in shade on a stable, dry surface. Outdoor use is permitted, but direct sunlight is specifically excluded. Bring it indoors when the occasion ends, clean it gently, dry it promptly, and never leave the lacquerware immersed in water for a prolonged period.

Held close by an adult model with chopsticks poised above the empty bowl, this supplied photograph makes the medium scale and undulating rim immediately legible. The shallow depth of field keeps attention on the lacquered wooden form without identifying the model as the maker or implying a specific food, temperature, or performance claim.

A softly focused portrait shows the adult model holding the bowl and chopsticks at a comfortable seated height. The pale wall and white clothing give the dark lacquerware a quiet visual anchor, while the hands clarify its 120-millimeter diameter. The scene is used for scale and atmosphere, not to identify the person or prescribe a dish.

Presented empty in both hands near a window, the bowl reveals its generous interior curve and changing rim height. Soft indoor light catches the lacquered surface while the model's hands provide a direct scale reference. No identity is assigned to the person, and no unconfirmed serving, durability, or food-contact claim is inferred from the image.

OBJECT PASSPORT / CARE & USE

Clean the bowl gently by hand with a soft cloth or sponge, then dry it promptly before indoor storage. Do not leave it submerged, expose it to direct sunlight, or scrub it with hard objects. Do not use a dishwasher, microwave, oven, induction cooktop, refrigerator, or freezer. Outdoor use is limited to temporary, shaded settings on a stable surface.
OBJECT PASSPORT
CRAFT HERITAGE
Yamanaka Lacquerware dates to the late 16th century, when a group of woodturners moved into the area in search of suitable timber and began shaping wood on lathes. The craft became established around Yamanaka Onsen.
By the middle of the Edo period, artisans were making everyday objects such as bowls and trays, as well as souvenirs for visitors to the hot-spring town. Lacquering and maki-e techniques were introduced in the early 19th century, laying the foundation for the raised Yamanaka taka-maki-e practiced today.
HOW IT’S MADE
Yamanaka Lacquerware is made through four principal stages: forming the wooden body, preparing the foundation, applying the final lacquer coat, and adding maki-e decoration.
Properly dried wood and precise turning help prevent distortion.
Although the foundation is hidden in the finished piece, it supports both the vessel's strength and the quality of the final lacquer surface.
The lacquer is built up through repeated coating and sanding, with curing carefully managed in response to humidity and weather.
MEET THE MAKER
MAKER · YAMANAKA, ISHIKAWA
YUIYU brings together the perspective of floral design and the accumulated skills of Yamanaka lacquerware. Its official concept describes organic forms learned from nature and new experiments in color, expressed as wooden lacquerware for contemporary interiors and daily life.

Naoko Tanabe is the floral designer behind YUIYU. She developed the brand to connect the traditions of Yamanaka with contemporary life, and to bring attention to the people whose work is often present in an object but absent from its story.
During the brand's development, Tanabe traveled repeatedly between Tokyo and Yamanaka Onsen. Color and form were not settled on paper alone. They were refined through prototypes and conversations with the craftspeople who understood how different woods, tools, and layers of lacquer would respond. When a color appeared uneven or brighter than intended, or a shape needed to work better in the hand, the design returned to the workshop for another round of judgment.
Yamanaka lacquerware is built through specialized work. One person may turn the wooden form on a lathe; others may refine lacquer, prepare the ground, or apply and wipe successive layers. YUIYU makes that collaboration part of the story rather than hiding it behind a single name.
Rokuro-biki, or lathe turning, gives the wood its balanced form. Fine sensuji lines may be cut into a rotating surface, creating rhythm through minute, repeated grooves. With fuki-urushi, lacquer is applied and carefully wiped back in repeated stages, allowing the grain of the wood to remain visible. The apparent simplicity of the finished object rests on a sequence of specialized decisions.
The name YUIYU repeats the Japanese character *yui*—to bind or connect. It expresses a wish to connect people, nature, culture, and the skills held in Yamanaka Onsen. The aim is not to make tradition appear modern by removing its history. It is to create a new reason for that history to remain in use: at the table, in a room, and in the rituals of everyday life.
Distance becomes smaller when the collaboration remains visible. Portraits and workshop photographs show the people and place behind YUIYU, while views of turning, sensuji carving, and fuki-urushi explain how specialist skills meet in one object. Together they make the brand’s division of labor visible without reducing the work to a single name.
We currently ship online orders to all 50 U.S. states and Washington, D.C., including Alaska and Hawaii. U.S. territories and countries other than the United States are not currently included.
Estimated arrival is usually within 5–10 business days after payment and order confirmation. This is an estimate and not a guaranteed delivery date. Timing may vary because of the destination, carrier conditions, customs review, weather, remote-area service, or other circumstances outside our reasonable control.
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U.S. orders are shipped on a Delivered Duty Paid (DDP) basis, regardless of order value. Where duties, import taxes, or related import charges apply, the amount collected by BRAND JAPAN is shown at checkout. You should not ordinarily be asked by the carrier to pay those charges again upon delivery. If a carrier requests an unexpected import payment, do not pay it immediately; contact us with your order number and the carrier's notice.
If the parcel or item arrives damaged, contact us within 48 hours of delivery. For an incorrect or incomplete order, contact us within 14 days. Keep the item, outer box, inner packaging, and shipping label, and prepare photographs showing their condition. Do not return an item until we provide instructions.
Read the full Shipping Policy for carrier, address-change, delay, and undeliverable-shipment details.
Questions? Email store@brand-japan.ne.jp. Support hours are Monday–Friday, 10:00–18:00 Japan Standard Time, excluding Japanese public holidays.
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