[Yamanaka Lacquerware] RIN 5.0 Hyacinth
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PRODUCT DETAILSA Quiet Hyacinth Rhythm for the TableRIN 5.0 Hyacinth is a shallow Yamanaka lacquerware plate made from natural alder and finished in lacquer. Its dark, blue-green surface lets the grain remain visible, while the gently undulating rim gives the round form...
PRODUCT DETAILS
RIN 5.0 Hyacinth is a shallow Yamanaka lacquerware plate made from natural alder and finished in lacquer. Its dark, blue-green surface lets the grain remain visible, while the gently undulating rim gives the round form an organic rhythm. At 150 millimeters across and just 20 millimeters high, it brings a quiet sculptural presence to the table.
USE & APPRECIATION
Set RIN 5.0 Hyacinth at the start of a meal for a small appetizer or a single sweet. Its shallow 150-millimeter form gives the presentation room without becoming a large plate, while the dark lacquer and softly rising rim draw the eye toward what you place at the center.

In the supplied photograph, a wooden spoon approaches the plate while the dark lacquered surface remains fully visible. The moment suggests preparation and use without covering the grain, and the hand behind it gives the low rim and 150-millimeter scale a clear human reference.

Beside tea, use the plate for one confection and let the hyacinth-toned surface create a quiet counterpoint to porcelain or glass. The visible wood grain keeps the setting from feeling flat, while the four gently shifting edges make even a simple pairing feel deliberately composed.

Build a mixed table setting around the plate rather than matching every piece. Its near-black blue-green character sits confidently beside pale ceramics, clear glass, or natural linen, and the low profile lets it join the arrangement without blocking conversation across the table.

A hand steadies the plate at the edge, bringing the softly undulating rim close enough to read its thin profile and lacquered sheen. The red tabletop keeps the dark blue-green surface distinct, while the fingers offer a practical reference for the compact 150-millimeter scale.

On the darker tabletop, the plate does not rely on sharp color contrast. Instead, its edge becomes legible through a narrow line of reflected light, while the hands give the scene scale. The supplied view reveals how quietly the piece can join a restrained setting.

For a guest, use the plate as a focused first gesture: one carefully chosen bite, one small sweet, or an empty place held ready. The sculpted rim provides definition without ornament, and the dark lacquer gives the setting a calm, contemporary center.

OBJECT PASSPORT / CARE & USE

Outdoor use is permitted, but keep the plate out of direct sunlight and away from prolonged submersion.
OBJECT PASSPORT
CRAFT HERITAGE
Yamanaka Lacquerware dates to the late 16th century, when a group of woodturners moved into the area in search of suitable timber and began shaping wood on lathes. The craft became established around Yamanaka Onsen.
By the middle of the Edo period, artisans were making everyday objects such as bowls and trays, as well as souvenirs for visitors to the hot-spring town. Lacquering and maki-e techniques were introduced in the early 19th century, laying the foundation for the raised Yamanaka taka-maki-e practiced today.
HOW IT’S MADE
Yamanaka Lacquerware is made through four principal stages: forming the wooden body, preparing the foundation, applying the final lacquer coat, and adding maki-e decoration.
Properly dried wood and precise turning help prevent distortion.
Although the foundation is hidden in the finished piece, it supports both the vessel's strength and the quality of the final lacquer surface.
The lacquer is built up through repeated coating and sanding, with curing carefully managed in response to humidity and weather.
MEET THE MAKER
MAKER · YAMANAKA, ISHIKAWA
YUIYU brings together the perspective of floral design and the accumulated skills of Yamanaka lacquerware. Its official concept describes organic forms learned from nature and new experiments in color, expressed as wooden lacquerware for contemporary interiors and daily life.

Naoko Tanabe is the floral designer behind YUIYU. She developed the brand to connect the traditions of Yamanaka with contemporary life, and to bring attention to the people whose work is often present in an object but absent from its story.
During the brand's development, Tanabe traveled repeatedly between Tokyo and Yamanaka Onsen. Color and form were not settled on paper alone. They were refined through prototypes and conversations with the craftspeople who understood how different woods, tools, and layers of lacquer would respond. When a color appeared uneven or brighter than intended, or a shape needed to work better in the hand, the design returned to the workshop for another round of judgment.
Yamanaka lacquerware is built through specialized work. One person may turn the wooden form on a lathe; others may refine lacquer, prepare the ground, or apply and wipe successive layers. YUIYU makes that collaboration part of the story rather than hiding it behind a single name.
Rokuro-biki, or lathe turning, gives the wood its balanced form. Fine sensuji lines may be cut into a rotating surface, creating rhythm through minute, repeated grooves. With fuki-urushi, lacquer is applied and carefully wiped back in repeated stages, allowing the grain of the wood to remain visible. The apparent simplicity of the finished object rests on a sequence of specialized decisions.
The name YUIYU repeats the Japanese character *yui*—to bind or connect. It expresses a wish to connect people, nature, culture, and the skills held in Yamanaka Onsen. The aim is not to make tradition appear modern by removing its history. It is to create a new reason for that history to remain in use: at the table, in a room, and in the rituals of everyday life.
Distance becomes smaller when the collaboration remains visible. Portraits and workshop photographs show the people and place behind YUIYU, while views of turning, sensuji carving, and fuki-urushi explain how specialist skills meet in one object. Together they make the brand’s division of labor visible without reducing the work to a single name.
We currently ship online orders to all 50 U.S. states and Washington, D.C., including Alaska and Hawaii. U.S. territories and countries other than the United States are not currently included.
Estimated arrival is usually within 5–10 business days after payment and order confirmation. This is an estimate and not a guaranteed delivery date. Timing may vary because of the destination, carrier conditions, customs review, weather, remote-area service, or other circumstances outside our reasonable control.
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If the parcel or item arrives damaged, contact us within 48 hours of delivery. For an incorrect or incomplete order, contact us within 14 days. Keep the item, outer box, inner packaging, and shipping label, and prepare photographs showing their condition. Do not return an item until we provide instructions.
Read the full Shipping Policy for carrier, address-change, delay, and undeliverable-shipment details.
Questions? Email store@brand-japan.ne.jp. Support hours are Monday–Friday, 10:00–18:00 Japan Standard Time, excluding Japanese public holidays.
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