[Yamanaka Lacquerware] RIN 5.0 Olive
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PRODUCT DETAILSA small lacquerware plate shaped by light and grainRIN 5.0 Olive is a shallow 150 mm plate made from natural alder wood with a lacquered surface. Its softly undulating rim loosens the geometry of a circle, while the translucent olive tone...
PRODUCT DETAILS
RIN 5.0 Olive is a shallow 150 mm plate made from natural alder wood with a lacquered surface. Its softly undulating rim loosens the geometry of a circle, while the translucent olive tone allows the grain to remain part of the design. At 50 g, it brings a light, composed presence to the table.
USE & APPRECIATION
Use the 150 mm plate for a small portion of fruit at breakfast. The green surface gives pale and bright colors a quiet ground, while the low rim keeps the serving visually open. Its compact size leaves room for a cup, linen, and the rest of an unhurried place setting.

Set a single confection on the plate beside tea and let the open space around it become part of the presentation. The irregular edge keeps the arrangement from feeling rigid, and the olive color introduces contrast without demanding attention. It is a measured setting for a short pause in the day.

Place RIN beside a larger dinner plate for bread or a small accompaniment. The near-round outline breaks the repetition of strictly circular tableware, yet remains easy to coordinate. Seen from a seated angle, the raised edge and layered olive color add rhythm without making the setting feel crowded.

Leave the plate empty for a moment and observe how its color changes as light crosses the lacquered grain. A low side view emphasizes the shallow rise of the rim; a view from above reveals the uneven circle. The object rewards looking before anything is placed on it.

Resting alone on the red-brown table, the olive plate stays fully visible while a person's hand remains softly present beyond it. This supplied view adds a poised moment before handling, distinct from the existing photographs of touching, lifting, offering, and approaching the plate, while keeping its low profile and translucent grain clear.

A hand resting lightly at the rim makes the plate's compact size and gentle edge easy to read. The close tabletop view keeps the olive surface unobstructed, showing how the grain remains visible under the lacquer while the low profile stays practical for a small serving or an empty pause.

With the plate centered between two nearby hands, the photograph suggests a moment of offering or receiving without assigning a story to the person shown. The dark tabletop gives the olive finish a clear contrast, while the open framing preserves a direct view of the grain and irregular edge.

OBJECT PASSPORT / CARE & USE

Made from natural alder wood with a lacquered surface. Avoid prolonged submersion, direct sunlight, and hard scrubbing. Microwave, dishwasher, oven, induction, refrigeration, and freezing are not permitted. Outdoor use is permitted only with care and away from direct sun.
OBJECT PASSPORT
CRAFT HERITAGE
Yamanaka Lacquerware dates to the late 16th century, when a group of woodturners moved into the area in search of suitable timber and began shaping wood on lathes. The craft became established around Yamanaka Onsen.
By the middle of the Edo period, artisans were making everyday objects such as bowls and trays, as well as souvenirs for visitors to the hot-spring town. Lacquering and maki-e techniques were introduced in the early 19th century, laying the foundation for the raised Yamanaka taka-maki-e practiced today.
HOW IT’S MADE
Yamanaka Lacquerware is made through four principal stages: forming the wooden body, preparing the foundation, applying the final lacquer coat, and adding maki-e decoration.
Properly dried wood and precise turning help prevent distortion.
Although the foundation is hidden in the finished piece, it supports both the vessel's strength and the quality of the final lacquer surface.
The lacquer is built up through repeated coating and sanding, with curing carefully managed in response to humidity and weather.
MEET THE MAKER
MAKER · YAMANAKA, ISHIKAWA
YUIYU brings together the perspective of floral design and the accumulated skills of Yamanaka lacquerware. Its official concept describes organic forms learned from nature and new experiments in color, expressed as wooden lacquerware for contemporary interiors and daily life.

Naoko Tanabe is the floral designer behind YUIYU. She developed the brand to connect the traditions of Yamanaka with contemporary life, and to bring attention to the people whose work is often present in an object but absent from its story.
During the brand's development, Tanabe traveled repeatedly between Tokyo and Yamanaka Onsen. Color and form were not settled on paper alone. They were refined through prototypes and conversations with the craftspeople who understood how different woods, tools, and layers of lacquer would respond. When a color appeared uneven or brighter than intended, or a shape needed to work better in the hand, the design returned to the workshop for another round of judgment.
Yamanaka lacquerware is built through specialized work. One person may turn the wooden form on a lathe; others may refine lacquer, prepare the ground, or apply and wipe successive layers. YUIYU makes that collaboration part of the story rather than hiding it behind a single name.
Rokuro-biki, or lathe turning, gives the wood its balanced form. Fine sensuji lines may be cut into a rotating surface, creating rhythm through minute, repeated grooves. With fuki-urushi, lacquer is applied and carefully wiped back in repeated stages, allowing the grain of the wood to remain visible. The apparent simplicity of the finished object rests on a sequence of specialized decisions.
The name YUIYU repeats the Japanese character *yui*—to bind or connect. It expresses a wish to connect people, nature, culture, and the skills held in Yamanaka Onsen. The aim is not to make tradition appear modern by removing its history. It is to create a new reason for that history to remain in use: at the table, in a room, and in the rituals of everyday life.
Distance becomes smaller when the collaboration remains visible. Portraits and workshop photographs show the people and place behind YUIYU, while views of turning, sensuji carving, and fuki-urushi explain how specialist skills meet in one object. Together they make the brand’s division of labor visible without reducing the work to a single name.
We currently ship online orders to all 50 U.S. states and Washington, D.C., including Alaska and Hawaii. U.S. territories and countries other than the United States are not currently included.
Estimated arrival is usually within 5–10 business days after payment and order confirmation. This is an estimate and not a guaranteed delivery date. Timing may vary because of the destination, carrier conditions, customs review, weather, remote-area service, or other circumstances outside our reasonable control.
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U.S. orders are shipped on a Delivered Duty Paid (DDP) basis, regardless of order value. Where duties, import taxes, or related import charges apply, the amount collected by BRAND JAPAN is shown at checkout. You should not ordinarily be asked by the carrier to pay those charges again upon delivery. If a carrier requests an unexpected import payment, do not pay it immediately; contact us with your order number and the carrier's notice.
If the parcel or item arrives damaged, contact us within 48 hours of delivery. For an incorrect or incomplete order, contact us within 14 days. Keep the item, outer box, inner packaging, and shipping label, and prepare photographs showing their condition. Do not return an item until we provide instructions.
Read the full Shipping Policy for carrier, address-change, delay, and undeliverable-shipment details.
Questions? Email store@brand-japan.ne.jp. Support hours are Monday–Friday, 10:00–18:00 Japan Standard Time, excluding Japanese public holidays.
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