[Yamanaka Lacquerware] RIN Bowl S Olive
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PRODUCT DETAILSOlive-toned grain in a compact lacquered formAt 105 millimeters across and 50 millimeters high, RIN Bowl S Olive is a compact Yamanaka lacquerware form made from natural kobushi wood with a lacquer coating. Its rounded body, softly lifted rim, and visible...
PRODUCT DETAILS
At 105 millimeters across and 50 millimeters high, RIN Bowl S Olive is a compact Yamanaka lacquerware form made from natural kobushi wood with a lacquer coating. Its rounded body, softly lifted rim, and visible grain give the 35-gram bowl a distinctive presence while keeping it remarkably light in the hand.
USE & APPRECIATION
Set the bowl at an individual place when a compact vessel suits the table. Its 105-millimeter breadth defines a small serving space without crowding nearby pieces, while the 50-millimeter height keeps the interior visible. Clean the lacquered wood by hand and never leave it submerged for a prolonged period.

Seated at the red tabletop, the model looks toward RIN Bowl S Olive while holding the vessel in one hand and a wooden spoon in the other. The supplied photograph brings a face into the dining moment and shows a distinct pose from the existing close and side views, while the softly lifted rim and dark olive-toned exterior remain clearly visible.

Bring the empty bowl close enough to follow the grain as it curves from the darker exterior toward the olive-toned interior. The supplied portraits show how easily the 35-gram form can be supported in the hands. Treat the color name as the finish designation, not a promise of identical screen color.

Leave the clean, empty bowl on an open shelf between uses, where the rounded base and subtly raised corners can be read in silhouette. An oblique view also reveals the change from the darker outer wall to the lighter interior grain. Keep it indoors and protect the lacquer from direct sunlight.

Use the bowl outdoors only for a temporary, supervised setting in the shade. Outdoor use is marked as permitted, but direct sunlight remains explicitly prohibited. Place the lightweight vessel on a stable surface, bring it indoors after the occasion, and do not refrigerate or freeze it before or after use.

Turn the clean, empty bowl over briefly to see the small YUIYU mark photographed on its base. The mark connects the object to the supplied workshop profile without interrupting the grain seen inside. Support the rim and base together, avoid hard scrubbers on the lacquer, and return it gently to a stable surface.

This close supplied portrait keeps the empty bowl fully visible while a wooden spoon rests just inside the rim. The adult model's hands make the compact scale immediate, and the shallow focus draws attention to the olive-toned grain and softly lifted corners without presenting the model as the maker.

From a wider distance, the supplied photograph shows how the bowl's rim rises gently at its corners above the rounded body. The model supports the empty vessel in one hand and holds a wooden spoon in the other, providing scale while leaving the exterior silhouette and lacquered grain unobstructed.

In this supplied interior view, both hands present the empty bowl against a softly blurred window and foliage. The straight-on angle makes its 105-millimeter breadth and 50-millimeter height easy to read in human scale, while the olive-toned inner surface remains visible above the darker exterior.

OBJECT PASSPORT / CARE & USE

After use, clean the bowl promptly by hand with a soft cloth or sponge, then dry it before indoor storage. Do not use a dishwasher, microwave, oven, induction cooktop, refrigerator, or freezer. Outdoor use is permitted only with care; keep it in shade, away from direct sunlight, and do not leave it submerged.
OBJECT PASSPORT
The underside bears the YUIYU mark shown in the supplied photographs.
CRAFT HERITAGE
Yamanaka Lacquerware dates to the late 16th century, when a group of woodturners moved into the area in search of suitable timber and began shaping wood on lathes. The craft became established around Yamanaka Onsen.
By the middle of the Edo period, artisans were making everyday objects such as bowls and trays, as well as souvenirs for visitors to the hot-spring town. Lacquering and maki-e techniques were introduced in the early 19th century, laying the foundation for the raised Yamanaka taka-maki-e practiced today.
HOW IT’S MADE
Yamanaka Lacquerware is made through four principal stages: forming the wooden body, preparing the foundation, applying the final lacquer coat, and adding maki-e decoration.
Properly dried wood and precise turning help prevent distortion.
Although the foundation is hidden in the finished piece, it supports both the vessel's strength and the quality of the final lacquer surface.
The lacquer is built up through repeated coating and sanding, with curing carefully managed in response to humidity and weather.
MEET THE MAKER
MAKER · YAMANAKA, ISHIKAWA
YUIYU brings together the perspective of floral design and the accumulated skills of Yamanaka lacquerware. Its official concept describes organic forms learned from nature and new experiments in color, expressed as wooden lacquerware for contemporary interiors and daily life.

Naoko Tanabe is the floral designer behind YUIYU. She developed the brand to connect the traditions of Yamanaka with contemporary life, and to bring attention to the people whose work is often present in an object but absent from its story.
During the brand's development, Tanabe traveled repeatedly between Tokyo and Yamanaka Onsen. Color and form were not settled on paper alone. They were refined through prototypes and conversations with the craftspeople who understood how different woods, tools, and layers of lacquer would respond. When a color appeared uneven or brighter than intended, or a shape needed to work better in the hand, the design returned to the workshop for another round of judgment.
Yamanaka lacquerware is built through specialized work. One person may turn the wooden form on a lathe; others may refine lacquer, prepare the ground, or apply and wipe successive layers. YUIYU makes that collaboration part of the story rather than hiding it behind a single name.
Rokuro-biki, or lathe turning, gives the wood its balanced form. Fine sensuji lines may be cut into a rotating surface, creating rhythm through minute, repeated grooves. With fuki-urushi, lacquer is applied and carefully wiped back in repeated stages, allowing the grain of the wood to remain visible. The apparent simplicity of the finished object rests on a sequence of specialized decisions.
The name YUIYU repeats the Japanese character *yui*—to bind or connect. It expresses a wish to connect people, nature, culture, and the skills held in Yamanaka Onsen. The aim is not to make tradition appear modern by removing its history. It is to create a new reason for that history to remain in use: at the table, in a room, and in the rituals of everyday life.
Distance becomes smaller when the collaboration remains visible. Portraits and workshop photographs show the people and place behind YUIYU, while views of turning, sensuji carving, and fuki-urushi explain how specialist skills meet in one object. Together they make the brand’s division of labor visible without reducing the work to a single name.
We currently ship online orders to all 50 U.S. states and Washington, D.C., including Alaska and Hawaii. U.S. territories and countries other than the United States are not currently included.
Estimated arrival is usually within 5–10 business days after payment and order confirmation. This is an estimate and not a guaranteed delivery date. Timing may vary because of the destination, carrier conditions, customs review, weather, remote-area service, or other circumstances outside our reasonable control.
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U.S. orders are shipped on a Delivered Duty Paid (DDP) basis, regardless of order value. Where duties, import taxes, or related import charges apply, the amount collected by BRAND JAPAN is shown at checkout. You should not ordinarily be asked by the carrier to pay those charges again upon delivery. If a carrier requests an unexpected import payment, do not pay it immediately; contact us with your order number and the carrier's notice.
If the parcel or item arrives damaged, contact us within 48 hours of delivery. For an incorrect or incomplete order, contact us within 14 days. Keep the item, outer box, inner packaging, and shipping label, and prepare photographs showing their condition. Do not return an item until we provide instructions.
Read the full Shipping Policy for carrier, address-change, delay, and undeliverable-shipment details.
Questions? Email store@brand-japan.ne.jp. Support hours are Monday–Friday, 10:00–18:00 Japan Standard Time, excluding Japanese public holidays.
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