Edo Komon Scarf: Green / Bamboo
A narrow green bamboo-pattern silk scarf tied once at the neck over a simple white shirt.
A narrow green silk scarf worn as a slim hair band with its pale pointed tips visible.
The green bamboo-pattern silk scarf tied at the neck over a white shirt.
The green silk scarf unfolded beside its open empty wooden box as a compact gift presentation.
A model holding the green bamboo-pattern silk scarf close to her face against a soft garden background.
A model holding the tapered ends of the green silk scarf beneath a small neck knot in a quiet Japanese room.
Edo Komon Scarf: Green / Bamboo
A narrow green bamboo-pattern silk scarf tied once at the neck over a simple white shirt.
A narrow green silk scarf worn as a slim hair band with its pale pointed tips visible.
The green bamboo-pattern silk scarf tied at the neck over a white shirt.
The green silk scarf unfolded beside its open empty wooden box as a compact gift presentation.
A model holding the green bamboo-pattern silk scarf close to her face against a soft garden background.
A model holding the tapered ends of the green silk scarf beneath a small neck knot in a quiet Japanese room.
Tomita Dyeing & Crafts Co., Ltd. SKU: BJ_P_00100

Edo Komon Scarf: Green / Bamboo

Price
Regular price ¥35,266
Regular price Sale price ¥35,266
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Product Details

PRODUCT DETAILS

A Bamboo Pattern Revealed in Silk

This 100% silk Tokyo Some-Komon scarf pairs a cool green palette with the quiet rhythm of a bamboo motif. Its narrow 900 mm form can sit neatly at the neck or become a light accent in the hair, while the finely repeated surface rewards a closer look.

USE & APPRECIATION

A Quiet Accent at the Neck

Add a narrow line of green to a plain blouse with a light knot at the neck. The silk's bamboo pattern introduces fine detail without bulk, making a simple outfit feel individually composed.

A narrow green bamboo-pattern silk scarf tied once at the neck over a simple white shirt.

Green Worn in the Hair

Tie the scarf through the hair when you want the color to frame your face differently. Its narrow silk form leaves light ends to fall beside the hair, bringing the same bamboo pattern into a more relaxed arrangement.

A narrow green silk scarf worn as a slim hair band with its pale pointed tips visible.

Pattern Seen in Garden Light

Pause over the scarf in gentle garden light and follow its fine pattern. Green silk shifts in brightness as it folds, giving this small accessory an appeal that becomes clearer at conversational distance.

A model holding the green bamboo-pattern silk scarf close to her face against a soft garden background.

A Compact Gift with a Clear Origin

Choose the scarf for someone who enjoys a small, versatile detail in dressing. Its narrow silk shape can be worn at the neck or in the hair, while the bamboo pattern offers a quiet connection to Tokyo Some-Komon.

The green silk scarf unfolded beside its open empty wooden box as a compact gift presentation.

A Light Knot at the Neck

Adjust a small knot and let the ends fall over a simple shirt. The scarf's narrow proportions make green an accent rather than a large layer, bringing color close to the face with little weight.

The green bamboo-pattern silk scarf tied at the neck over a white shirt.

A Front View in a Quiet Japanese Room

Keep the rest of an outfit simple and let the scarf provide the detail. Seen from the front, its long narrow ends show the change between green and pale tones, giving everyday dressing a considered finish.

A model holding the tapered ends of the green silk scarf beneath a small neck knot in a quiet Japanese room.

OBJECT PASSPORT / CARE & USE

Care & Handling

Care summary: 100% silk; machine washing and ironing are not permitted.

Material: 100% silk. Do not machine wash or iron.

OBJECT PASSPORT

Product details

Dimensions
900 × H55 mm
Material
100% silk
Product weight
8 g
Origin
Japan

Material: 100% silk.
Craft Heritage

CRAFT HERITAGE

Craft Heritage

The origins of komon dyeing reach back to the Muromachi period, but the practice became widespread during the Edo period. A production center developed in Edo to dye the formal kamishimo worn by feudal lords who gathered there from across Japan.

Initially associated with samurai dress, komon spread among townspeople in the mid-Edo period and flourished under the influence of urban culture. It was worn by both men and women during the Edo period, but became exclusively women’s attire in the Meiji period.
How It’s Made

TRADITIONAL CRAFT PROCESS

How It’s Made

About the Making Process

Tokyo Some-Komon is produced in a single workshop, from preparing the colored paste through final drying.
An approximately 20-centimeter stencil is placed repeatedly along a bolt of white fabric about 12 meters long, with precise alignment required to create an uninterrupted fine pattern.
To reproduce the carver's design accurately, the dyer monitors the condition of the fabric, stencil, and paste throughout the process.

1. Carving the Stencil
  • Two or three sheets of handmade washi are laminated with persimmon tannin to create the stencil paper.
  • The carver cuts the intricate pattern using awls, small knives, and specially made carving tools.
2. Preparing the Colored Paste
  • Glutinous rice flour, rice bran, and a small amount of salt are mixed, steamed, and kneaded into a base paste. Dyes are then added.
  • The base color and pattern color are adjusted through repeated test dyeing.
3. Applying the Stencil Paste
  • White silk is stretched taut across a long, solid fir board. A cypress spatula is used to press resist paste through the stencil.
  • The stencil is repositioned along an approximately 12-meter bolt by aligning tiny registration points called okuriboshi. Its moisture is carefully controlled because drying can alter the stencil’s dimensions and disrupt the alignment.
4. Drying on the Board
  • The resist paste is dried while the fabric remains attached to the board. For multicolored designs, the stencil application is repeated.
5. Ground-Color Dyeing (Shigoki)
  • Once the resist is dry, the fabric is removed from the board and ground-color dye paste is spread evenly across the surface with a large spatula.
6. Steaming
  • Before the dye paste dries, the fabric is steamed at 90–100°C for approximately 15–30 minutes to set the color.
7. Washing
  • The steamed fabric is thoroughly rinsed to remove the resist paste and excess dye.
8. Drying and Finishing
  • The fabric is dried, returned to its proper width through a steam-finishing process called yu-noshi, and carefully inspected.
Meet the Maker

MEET THE MAKER

Meet the Maker

MAKER · WASEDA, TOKYO

Patterns That Reveal Themselves Slowly

At its Waseda workshop, Tomita Dyeing & Crafts continues Tokyo Some Komon and Edo Sarasa using Ise *katagami* stencils, while also applying its dyeing knowledge to accessories and objects for contemporary life.

A representative of Tomita Dyeing & Crafts at the workshop entrance in Waseda, Tokyo.
Atsushi Tomita, Fifth Generation

For Atsushi Tomita, dyeing was part of daily life long before it became his profession. From childhood, his mornings began alongside the workshop’s resident craftspeople, cleaning the garden and workspaces before school; after class, he returned to help with the family trade. He later worked for a women’s apparel company, then came home to the workshop at age 31. In 2006, he became its fifth-generation president.

That path—rooted in the workshop but informed by the wider world of fashion—still shapes his approach. Tomita carries forward inherited skill while looking for new patterns, colors, and forms that make Tokyo dyeing meaningful now.

A Workshop Shaped by Tokyo

The workshop was founded in Asakusa in 1882 and moved upstream to Waseda in 1914, when dye houses were seeking the cleaner water of the Kanda River. There, generations of makers have practiced Tokyo Some Komon and Edo Sarasa using Ise katagami stencils.

Tokyo Some Komon rewards a closer look: what first appears to be a quiet field of color resolves into an extraordinarily fine repeating pattern. Edo Sarasa builds a different kind of depth, layering motifs and color through successive hand processes. In both, the result depends on more than a design. It depends on how a stencil is placed, how paste and dye are prepared, and how consistently the maker works across a length of cloth.

Tradition, Kept Alive Through Use

Tomita does not see continuity as repetition. Through the workshop’s SARAKICHI line, inherited dyeing knowledge has moved beyond kimono into accessories and objects for contemporary life. The purpose is not to make tradition look new for its own sake, but to let the qualities that made it endure—restraint, wit, rhythm, and exacting handwork—remain useful and felt.
Shipping Information

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