[Yamanaka Lacquerware] RIN 5.0 Berry
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PRODUCT DETAILSA Berry-Red Accent in Lacquered AlderRIN 5.0 Berry brings a vivid note to the table through a low, restrained silhouette. Made from natural alder wood and finished with lacquer, the 150 mm plate is light at 50 g. Its compact scale...
PRODUCT DETAILS
RIN 5.0 Berry brings a vivid note to the table through a low, restrained silhouette. Made from natural alder wood and finished with lacquer, the 150 mm plate is light at 50 g. Its compact scale and saturated color let it stand alone as an object or support a carefully chosen serving moment.
USE & APPRECIATION
Place RIN beside a cup during an unhurried pause. Its 150 mm diameter leaves room for a small sweet or a modest accompaniment without crowding the setting. Against pale linen or dark wood, the berry-red lacquer becomes a deliberate point of color, making an everyday interval feel considered.

On a polished red table, a hand reaching toward RIN adds human scale and the sense of an object about to be used. The low angle keeps the shallow profile and berry-red surface in clear view, while the gesture distinguishes this supplied photograph from the existing object-only table settings.

Use the low plate to frame a small first course or a carefully portioned bite. The restrained profile keeps attention on what is placed at the center, while the berry tone supplies a warm visual counterpoint. At only 50 g, the piece feels notably light when lifted and set down.

Let the plate rest empty on a console or open shelf, where its color and circular outline can be read without distraction. The shallow form occupies little visual height, so it can sit comfortably among books, vessels, or other collected objects while still holding its own distinct presence.

Held at lap height by a seated person in a green garden, RIN reads as light and easy to carry between indoor and sheltered outdoor moments. The hands establish its 150 mm scale, while the berry lacquer remains the focus against the soft foliage. Keep it out of direct sunlight and bring it inside after use.

Carry RIN to a shaded terrace for a calm outdoor pause. Its compact footprint works neatly on a small side table, and the berry-red finish stands out against stone, timber, or greenery. Outdoor use is permitted, but keep the lacquered piece away from direct sunlight and bring it inside after use.

Treat RIN as a small stage for an object you enjoy seeing each day: a smooth stone, a keepsake, or a single piece of jewelry. The low rim defines a quiet boundary without hiding the contents, while the lacquered berry surface gives the arrangement a composed, gallery-like focus.

OBJECT PASSPORT / CARE & USE

Handle the lacquered surface gently and follow the confirmed restrictions above. No additional care performance is implied.
OBJECT PASSPORT
CRAFT HERITAGE
Yamanaka Lacquerware dates to the late 16th century, when a group of woodturners moved into the area in search of suitable timber and began shaping wood on lathes. The craft became established around Yamanaka Onsen.
By the middle of the Edo period, artisans were making everyday objects such as bowls and trays, as well as souvenirs for visitors to the hot-spring town. Lacquering and maki-e techniques were introduced in the early 19th century, laying the foundation for the raised Yamanaka taka-maki-e practiced today.
HOW IT’S MADE
Yamanaka Lacquerware is made through four principal stages: forming the wooden body, preparing the foundation, applying the final lacquer coat, and adding maki-e decoration.
Properly dried wood and precise turning help prevent distortion.
Although the foundation is hidden in the finished piece, it supports both the vessel's strength and the quality of the final lacquer surface.
The lacquer is built up through repeated coating and sanding, with curing carefully managed in response to humidity and weather.
MEET THE MAKER
MAKER · YAMANAKA, ISHIKAWA
YUIYU brings together the perspective of floral design and the accumulated skills of Yamanaka lacquerware. Its official concept describes organic forms learned from nature and new experiments in color, expressed as wooden lacquerware for contemporary interiors and daily life.

Naoko Tanabe is the floral designer behind YUIYU. She developed the brand to connect the traditions of Yamanaka with contemporary life, and to bring attention to the people whose work is often present in an object but absent from its story.
During the brand's development, Tanabe traveled repeatedly between Tokyo and Yamanaka Onsen. Color and form were not settled on paper alone. They were refined through prototypes and conversations with the craftspeople who understood how different woods, tools, and layers of lacquer would respond. When a color appeared uneven or brighter than intended, or a shape needed to work better in the hand, the design returned to the workshop for another round of judgment.
Yamanaka lacquerware is built through specialized work. One person may turn the wooden form on a lathe; others may refine lacquer, prepare the ground, or apply and wipe successive layers. YUIYU makes that collaboration part of the story rather than hiding it behind a single name.
Rokuro-biki, or lathe turning, gives the wood its balanced form. Fine sensuji lines may be cut into a rotating surface, creating rhythm through minute, repeated grooves. With fuki-urushi, lacquer is applied and carefully wiped back in repeated stages, allowing the grain of the wood to remain visible. The apparent simplicity of the finished object rests on a sequence of specialized decisions.
The name YUIYU repeats the Japanese character *yui*—to bind or connect. It expresses a wish to connect people, nature, culture, and the skills held in Yamanaka Onsen. The aim is not to make tradition appear modern by removing its history. It is to create a new reason for that history to remain in use: at the table, in a room, and in the rituals of everyday life.
Distance becomes smaller when the collaboration remains visible. Portraits and workshop photographs show the people and place behind YUIYU, while views of turning, sensuji carving, and fuki-urushi explain how specialist skills meet in one object. Together they make the brand’s division of labor visible without reducing the work to a single name.
We currently ship online orders to all 50 U.S. states and Washington, D.C., including Alaska and Hawaii. U.S. territories and countries other than the United States are not currently included.
Estimated arrival is usually within 5–10 business days after payment and order confirmation. This is an estimate and not a guaranteed delivery date. Timing may vary because of the destination, carrier conditions, customs review, weather, remote-area service, or other circumstances outside our reasonable control.
Enter your delivery address at checkout to review the available delivery option, shipping charge, and complete order total before payment.
U.S. orders are shipped on a Delivered Duty Paid (DDP) basis, regardless of order value. Where duties, import taxes, or related import charges apply, the amount collected by BRAND JAPAN is shown at checkout. You should not ordinarily be asked by the carrier to pay those charges again upon delivery. If a carrier requests an unexpected import payment, do not pay it immediately; contact us with your order number and the carrier's notice.
If the parcel or item arrives damaged, contact us within 48 hours of delivery. For an incorrect or incomplete order, contact us within 14 days. Keep the item, outer box, inner packaging, and shipping label, and prepare photographs showing their condition. Do not return an item until we provide instructions.
Read the full Shipping Policy for carrier, address-change, delay, and undeliverable-shipment details.
Questions? Email store@brand-japan.ne.jp. Support hours are Monday–Friday, 10:00–18:00 Japan Standard Time, excluding Japanese public holidays.
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