[Yamanaka Lacquerware] RIN 7.0 Mimosa
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PRODUCT DETAILSA wide lacquered plane, light in the handAt 210 millimeters across and only 20 millimeters high, RIN 7.0 Mimosa is a low Yamanaka lacquerware plate shaped from natural alder wood and finished with lacquer. Its gently irregular rim, warm named Mimosa...
PRODUCT DETAILS
At 210 millimeters across and only 20 millimeters high, RIN 7.0 Mimosa is a low Yamanaka lacquerware plate shaped from natural alder wood and finished with lacquer. Its gently irregular rim, warm named Mimosa tone, and visible grain bring a quiet organic presence to the table, while the 100-gram body remains light to handle.
USE & APPRECIATION
Set the plate at an individual place setting when a broad, low surface suits the arrangement. Its 210-millimeter diameter creates generous visual space, while the 20-millimeter height keeps the profile restrained. The natural alder body is lacquered, so wash it by hand and do not leave it submerged.

Viewed from the side, the rim rises only slightly from the table and traces a softly irregular outline rather than a rigid circle. That shallow lift gives the plate definition without adding bulk. Use the photographs as a guide to its silhouette, not as evidence of heat resistance or appliance compatibility.

When presented in two hands, the 100-gram plate reads as notably light for its 210-millimeter span. The supplied photograph also brings the visible grain and warm Mimosa finish close to view. Support the broad rim and base together when lifting it, and set it down on a stable surface.

Between uses, leave the empty plate where its low form and changing grain can be appreciated from above. The named Mimosa finish adds a warm note without hiding the natural wood beneath. Keep the lacquered surface away from direct sunlight, and store the piece indoors after any temporary outdoor use.

Turn the clean, empty plate over briefly and the supplied underside photographs reveal a small YUIYU mark at the center of the base. The view also shows the shallow foot and rounded back of the form. Avoid placing it on abrasive surfaces, then return it gently to its upright position.

RIN 7.0 Mimosa rests alone on the red lacquered table while the seated model remains softly visible at the edge of the frame. This supplied view differs from the existing presenting and reaching gestures: the plate is left undisturbed, allowing its low silhouette, softly irregular rim, and warm grain to hold the focus.

Two open hands frame the empty RIN 7.0 Mimosa as it rests on a low table. The close perspective makes the broad surface, visible grain, and softly irregular rim easy to inspect, while the adult model's hands provide scale. The person is not identified as the maker; this is a supplied lifestyle view.

Set in front of a seated adult, the empty plate remains the clear focus. The near-level camera angle shows how little the rim rises above the dark tabletop, while the hands behind it establish human scale. No food or heat source appears, so the image is used only for form and placement.

A hand approaching the edge draws attention to the plate's gently irregular perimeter and shallow lift. The vessel stays fully visible on the dark table, with the adult model providing a direct sense of its 210-millimeter breadth. The photograph does not establish appliance use, heat resistance, or any identity for the person shown.

OBJECT PASSPORT / CARE & USE

Clean by hand, dry promptly with a soft cloth, and store indoors. Do not leave the plate submerged, expose it to direct sunlight, or scrub the lacquered surface with hard objects. Outdoor use is permitted only while these restrictions are observed.
OBJECT PASSPORT
The underside bears the YUIYU mark shown in the supplied photographs.
CRAFT HERITAGE
Yamanaka Lacquerware dates to the late 16th century, when a group of woodturners moved into the area in search of suitable timber and began shaping wood on lathes. The craft became established around Yamanaka Onsen.
By the middle of the Edo period, artisans were making everyday objects such as bowls and trays, as well as souvenirs for visitors to the hot-spring town. Lacquering and maki-e techniques were introduced in the early 19th century, laying the foundation for the raised Yamanaka taka-maki-e practiced today.
HOW IT’S MADE
Yamanaka Lacquerware is made through four principal stages: forming the wooden body, preparing the foundation, applying the final lacquer coat, and adding maki-e decoration.
Properly dried wood and precise turning help prevent distortion.
Although the foundation is hidden in the finished piece, it supports both the vessel's strength and the quality of the final lacquer surface.
The lacquer is built up through repeated coating and sanding, with curing carefully managed in response to humidity and weather.
MEET THE MAKER
MAKER · YAMANAKA, ISHIKAWA
YUIYU brings together the perspective of floral design and the accumulated skills of Yamanaka lacquerware. Its official concept describes organic forms learned from nature and new experiments in color, expressed as wooden lacquerware for contemporary interiors and daily life.

Naoko Tanabe is the floral designer behind YUIYU. She developed the brand to connect the traditions of Yamanaka with contemporary life, and to bring attention to the people whose work is often present in an object but absent from its story.
During the brand's development, Tanabe traveled repeatedly between Tokyo and Yamanaka Onsen. Color and form were not settled on paper alone. They were refined through prototypes and conversations with the craftspeople who understood how different woods, tools, and layers of lacquer would respond. When a color appeared uneven or brighter than intended, or a shape needed to work better in the hand, the design returned to the workshop for another round of judgment.
Yamanaka lacquerware is built through specialized work. One person may turn the wooden form on a lathe; others may refine lacquer, prepare the ground, or apply and wipe successive layers. YUIYU makes that collaboration part of the story rather than hiding it behind a single name.
Rokuro-biki, or lathe turning, gives the wood its balanced form. Fine sensuji lines may be cut into a rotating surface, creating rhythm through minute, repeated grooves. With fuki-urushi, lacquer is applied and carefully wiped back in repeated stages, allowing the grain of the wood to remain visible. The apparent simplicity of the finished object rests on a sequence of specialized decisions.
The name YUIYU repeats the Japanese character *yui*—to bind or connect. It expresses a wish to connect people, nature, culture, and the skills held in Yamanaka Onsen. The aim is not to make tradition appear modern by removing its history. It is to create a new reason for that history to remain in use: at the table, in a room, and in the rituals of everyday life.
Distance becomes smaller when the collaboration remains visible. Portraits and workshop photographs show the people and place behind YUIYU, while views of turning, sensuji carving, and fuki-urushi explain how specialist skills meet in one object. Together they make the brand’s division of labor visible without reducing the work to a single name.
We currently ship online orders to all 50 U.S. states and Washington, D.C., including Alaska and Hawaii. U.S. territories and countries other than the United States are not currently included.
Estimated arrival is usually within 5–10 business days after payment and order confirmation. This is an estimate and not a guaranteed delivery date. Timing may vary because of the destination, carrier conditions, customs review, weather, remote-area service, or other circumstances outside our reasonable control.
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U.S. orders are shipped on a Delivered Duty Paid (DDP) basis, regardless of order value. Where duties, import taxes, or related import charges apply, the amount collected by BRAND JAPAN is shown at checkout. You should not ordinarily be asked by the carrier to pay those charges again upon delivery. If a carrier requests an unexpected import payment, do not pay it immediately; contact us with your order number and the carrier's notice.
If the parcel or item arrives damaged, contact us within 48 hours of delivery. For an incorrect or incomplete order, contact us within 14 days. Keep the item, outer box, inner packaging, and shipping label, and prepare photographs showing their condition. Do not return an item until we provide instructions.
Read the full Shipping Policy for carrier, address-change, delay, and undeliverable-shipment details.
Questions? Email store@brand-japan.ne.jp. Support hours are Monday–Friday, 10:00–18:00 Japan Standard Time, excluding Japanese public holidays.
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