[Yamanaka Lacquerware] RIN Bowl M Hyacinth
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PRODUCT DETAILSA lacquered curve shaped by wood and lightRIN Bowl M Hyacinth brings Yamanaka lacquerware into a light, hand-scale form. Made from natural kobushi wood with a lacquer-coated surface, its softly uneven rim and visible grain reward close looking. At 120 millimeters...
PRODUCT DETAILS
RIN Bowl M Hyacinth brings Yamanaka lacquerware into a light, hand-scale form. Made from natural kobushi wood with a lacquer-coated surface, its softly uneven rim and visible grain reward close looking. At 120 millimeters across, 60 millimeters high, and 40 grams, the bowl creates a distinctive presence without overwhelming a setting.
USE & APPRECIATION
Place the bowl empty on a stable table so its outline remains easy to read. The 120-millimeter breadth, 60-millimeter height, and softly irregular rim create a deliberate pause within a setting. Against pale linen or natural wood, the deep Hyacinth finish and visible grain can hold attention without added contents.

On an open shelf or side table, the bowl can be appreciated as an object between uses. Turn it occasionally to notice how its organic outline, grain, and deep blue-green-to-black appearance shift with the viewing angle. Keep the display indoors, away from direct sunlight and places where moisture may collect.

Set the bowl beside a wooden spoon or folded napkin to create a restrained table composition. The confirmed finish and compact footprint provide the visual focus. Keep the scene at room temperature: this piece is not suitable for a microwave, oven, induction cooktop, refrigerator, or freezer, and it requires hand cleaning.

Take the bowl outdoors only for a temporary, shaded arrangement on a stable surface. Outdoor use is permitted, but direct sunlight is specifically excluded. Bring it indoors afterward, clean it gently by hand, dry it promptly, and never leave the lacquered wooden bowl immersed in water for a prolonged period.

Held close while an adult model keeps a wooden spoon above the empty bowl, this photograph makes the irregular rim and curved wall easy to see. No food, capacity, or performance claim is inferred; the supplied image is used only to show the target product's proportions and dark surface under soft indoor light.

A wider portrait shows an adult model holding the target bowl and wooden spoon while seated against a pale wall. The hands and relaxed posture provide a clear sense of scale, while the dark lacquerware remains visible. The person is presented only as a model; no maker identity or title is assigned.

Supported at chest height in both hands, the empty bowl catches subtle highlights across its deep surface. The photograph keeps the target silhouette clear and uses the adult model only as a scale reference, revealing the rim, compact depth, and lacquer reflection without identifying the person or implying an unconfirmed use.

OBJECT PASSPORT / CARE & USE

Clean the bowl gently by hand with a soft cloth or sponge, then dry it promptly before indoor storage. Do not leave it submerged, expose it to direct sunlight, or scrub it with hard objects. Do not use a dishwasher, microwave, oven, induction cooktop, refrigerator, or freezer. Outdoor use is limited to temporary, shaded settings on a stable surface.
OBJECT PASSPORT
CRAFT HERITAGE
Yamanaka Lacquerware dates to the late 16th century, when a group of woodturners moved into the area in search of suitable timber and began shaping wood on lathes. The craft became established around Yamanaka Onsen.
By the middle of the Edo period, artisans were making everyday objects such as bowls and trays, as well as souvenirs for visitors to the hot-spring town. Lacquering and maki-e techniques were introduced in the early 19th century, laying the foundation for the raised Yamanaka taka-maki-e practiced today.
HOW IT’S MADE
Yamanaka Lacquerware is made through four principal stages: forming the wooden body, preparing the foundation, applying the final lacquer coat, and adding maki-e decoration.
Properly dried wood and precise turning help prevent distortion.
Although the foundation is hidden in the finished piece, it supports both the vessel's strength and the quality of the final lacquer surface.
The lacquer is built up through repeated coating and sanding, with curing carefully managed in response to humidity and weather.
MEET THE MAKER
MAKER · YAMANAKA, ISHIKAWA
YUIYU brings together the perspective of floral design and the accumulated skills of Yamanaka lacquerware. Its official concept describes organic forms learned from nature and new experiments in color, expressed as wooden lacquerware for contemporary interiors and daily life.

Naoko Tanabe is the floral designer behind YUIYU. She developed the brand to connect the traditions of Yamanaka with contemporary life, and to bring attention to the people whose work is often present in an object but absent from its story.
During the brand's development, Tanabe traveled repeatedly between Tokyo and Yamanaka Onsen. Color and form were not settled on paper alone. They were refined through prototypes and conversations with the craftspeople who understood how different woods, tools, and layers of lacquer would respond. When a color appeared uneven or brighter than intended, or a shape needed to work better in the hand, the design returned to the workshop for another round of judgment.
Yamanaka lacquerware is built through specialized work. One person may turn the wooden form on a lathe; others may refine lacquer, prepare the ground, or apply and wipe successive layers. YUIYU makes that collaboration part of the story rather than hiding it behind a single name.
Rokuro-biki, or lathe turning, gives the wood its balanced form. Fine sensuji lines may be cut into a rotating surface, creating rhythm through minute, repeated grooves. With fuki-urushi, lacquer is applied and carefully wiped back in repeated stages, allowing the grain of the wood to remain visible. The apparent simplicity of the finished object rests on a sequence of specialized decisions.
The name YUIYU repeats the Japanese character *yui*—to bind or connect. It expresses a wish to connect people, nature, culture, and the skills held in Yamanaka Onsen. The aim is not to make tradition appear modern by removing its history. It is to create a new reason for that history to remain in use: at the table, in a room, and in the rituals of everyday life.
Distance becomes smaller when the collaboration remains visible. Portraits and workshop photographs show the people and place behind YUIYU, while views of turning, sensuji carving, and fuki-urushi explain how specialist skills meet in one object. Together they make the brand’s division of labor visible without reducing the work to a single name.
We currently ship online orders to all 50 U.S. states and Washington, D.C., including Alaska and Hawaii. U.S. territories and countries other than the United States are not currently included.
Estimated arrival is usually within 5–10 business days after payment and order confirmation. This is an estimate and not a guaranteed delivery date. Timing may vary because of the destination, carrier conditions, customs review, weather, remote-area service, or other circumstances outside our reasonable control.
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If the parcel or item arrives damaged, contact us within 48 hours of delivery. For an incorrect or incomplete order, contact us within 14 days. Keep the item, outer box, inner packaging, and shipping label, and prepare photographs showing their condition. Do not return an item until we provide instructions.
Read the full Shipping Policy for carrier, address-change, delay, and undeliverable-shipment details.
Questions? Email store@brand-japan.ne.jp. Support hours are Monday–Friday, 10:00–18:00 Japan Standard Time, excluding Japanese public holidays.
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