[Yamanaka Lacquerware] RIN Bowl S Hyacinth
Adult model holding the RIN Bowl S Hyacinth close to the camera with a wooden spoon above the bowl.
Adult model holding the small RIN Bowl S Hyacinth and a wooden spoon against a plain interior wall.
Adult model holding the RIN Bowl S Hyacinth with a wooden spoon in a wider interior portrait.
Close view of an adult model holding the RIN Bowl S Hyacinth in both hands.
RIN Bowl S Hyacinth displayed empty as a compact accent at one calm place setting.
Adult hands holding the empty RIN Bowl S Hyacinth close to the body to show its compact scale.
Empty RIN Bowl S Hyacinth viewed slightly from above on a quiet indoor shelf between uses.
Empty RIN Bowl S Hyacinth on a stable shaded outdoor table for a temporary setting.
Adult hands briefly supporting the inverted RIN Bowl S Hyacinth to reveal the small YUIYU mark underneath.
[Yamanaka Lacquerware] RIN Bowl S Hyacinth
Adult model holding the RIN Bowl S Hyacinth close to the camera with a wooden spoon above the bowl.
Adult model holding the small RIN Bowl S Hyacinth and a wooden spoon against a plain interior wall.
Adult model holding the RIN Bowl S Hyacinth with a wooden spoon in a wider interior portrait.
Close view of an adult model holding the RIN Bowl S Hyacinth in both hands.
RIN Bowl S Hyacinth displayed empty as a compact accent at one calm place setting.
Adult hands holding the empty RIN Bowl S Hyacinth close to the body to show its compact scale.
Empty RIN Bowl S Hyacinth viewed slightly from above on a quiet indoor shelf between uses.
Empty RIN Bowl S Hyacinth on a stable shaded outdoor table for a temporary setting.
Adult hands briefly supporting the inverted RIN Bowl S Hyacinth to reveal the small YUIYU mark underneath.
Hana to Urushi LLC SKU: BJ_P_00066

[Yamanaka Lacquerware] RIN Bowl S Hyacinth

Price
Regular price ¥17,492
Regular price Sale price ¥17,492
Save ¥-17,492
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Product Details

PRODUCT DETAILS

A light wooden bowl with a gently undulating rim

RIN Bowl S Hyacinth brings an undulating rim to a compact Yamanaka lacquerware form. Measuring 105 millimeters across and 50 millimeters high, the 35-gram bowl is made from natural kobushi wood with a lacquer coating. The bowl reveals subtle turning lines, visible grain, and a dark finish that shifts gently with the light.

USE & APPRECIATION

A compact accent at one place setting

Pair the bowl with a plain cup and linen for a restrained individual setting. Its compact size leaves the table open, while the dark hyacinth finish provides a quiet frame for a small serving.

RIN Bowl S Hyacinth displayed empty as a compact accent at one calm place setting.

Its scale becomes clear in the hands

Cradle the bowl before bringing it to the table. The light wooden body and rounded base make its changing rim easy to appreciate, adding a tactile moment to everyday dining.

Adult hands holding the empty RIN Bowl S Hyacinth close to the body to show its compact scale.

The Hyacinth form between uses

Keep the bowl beside a favorite book between uses. Its dark finish and softly squared opening bring a small sculptural accent to pale wood, inviting attention even when it is empty.

Empty RIN Bowl S Hyacinth viewed slightly from above on a quiet indoor shelf between uses.

For a shaded outdoor table

Take a brief break at a dry table overlooking the garden. The compact bowl gives a personal serving its own place; keep the lacquer shaded and return the piece indoors afterward.

Empty RIN Bowl S Hyacinth on a stable shaded outdoor table for a temporary setting.

A quiet YUIYU mark underneath

After clearing the table, notice the YUIYU mark beneath the bowl. Set against visible wood grain, it offers a quiet reminder of the piece's identity before you put it away.

Adult hands briefly supporting the inverted RIN Bowl S Hyacinth to reveal the small YUIYU mark underneath.

A close view of bowl and spoon

Enjoy an individual serving slowly with a wooden spoon. RIN's compact opening and light body keep the bowl close to the hand, bringing its curved rim into the rhythm of the meal.

Adult model holding the RIN Bowl S Hyacinth close to the camera with a wooden spoon above the bowl.

A composed pause with the bowl

Make room for a small pause away from a busy table. The dark lacquered bowl provides a restrained setting for something you enjoy, with its wooden form adding interest to a familiar gesture.

Adult model holding the small RIN Bowl S Hyacinth and a wooden spoon against a plain interior wall.

The bowl within a wider portrait

Choose a bowl suited to a personal serving when you want a simple, relaxed meal. Its modest proportions and gently changing edge let useful tableware feel considered without making the occasion formal.

Adult model holding the RIN Bowl S Hyacinth with a wooden spoon in a wider interior portrait.

Turning lines seen at hand distance

Bring the bowl into soft indoor light and follow the turning lines around its wall. Those subtle details reward close handling, making the moments before and after serving part of its appeal.

Close view of an adult model holding the RIN Bowl S Hyacinth in both hands.

OBJECT PASSPORT / CARE & USE

Care & Handling

Care guide for RIN Bowl S Hyacinth: hand clean, do not use a dishwasher, avoid prolonged submersion, direct sunlight, and hard scrubbers, and use outdoors only in shade with care.

After use, clean the bowl promptly by hand with a soft cloth or sponge, then dry it before indoor storage. Do not use a dishwasher, microwave, oven, induction cooktop, refrigerator, or freezer. Outdoor use is permitted only with care; keep it in shade, away from direct sunlight, and do not leave it submerged.

OBJECT PASSPORT

Product details

Dimensions
105Φ×50Ｈ mm
Material
Natural wood (kobushi) Surface: lacquer coating
Product weight
35 g
Origin
Japan

The underside bears the YUIYU mark.
Craft Heritage

CRAFT HERITAGE

Craft Heritage

Yamanaka Lacquerware dates to the late 16th century, when a group of woodturners moved into the area in search of suitable timber and began shaping wood on lathes. The craft became established around Yamanaka Onsen.

By the middle of the Edo period, artisans were making everyday objects such as bowls and trays, as well as souvenirs for visitors to the hot-spring town. Lacquering and maki-e techniques were introduced in the early 19th century, laying the foundation for the raised Yamanaka taka-maki-e practiced today.
How It’s Made

TRADITIONAL CRAFT PROCESS

How It’s Made

About the Making Process

Yamanaka Lacquerware is made through four principal stages: forming the wooden body, preparing the foundation, applying the final lacquer coat, and adding maki-e decoration.
Properly dried wood and precise turning help prevent distortion.
Although the foundation is hidden in the finished piece, it supports both the vessel's strength and the quality of the final lacquer surface.
The lacquer is built up through repeated coating and sanding, with curing carefully managed in response to humidity and weather.

1. Kiji (Wooden Body)
  • Zelkova and Japanese horse chestnut are the principal woods. Each blank is cut vertically along the grain to minimize warping.
  • The craftsperson shapes the wood on a lathe using handmade kanna and other turning tools. Advanced decorative turning may add sensuji grooves or zogan inlay.
2. Shitaji (Foundation)
  • A mixture of lacquer and jinoko powder is applied and sanded.
  • Repeating this process strengthens the wooden body and creates a smooth surface.
3. Uwanuri (Final Lacquer Coat)
  • Black, vermilion, or another lacquer is applied with a brush.
  • The final coat is applied with great care to prevent even the finest airborne dust from settling on the surface.
4. Maki-e
  • Gold, silver, or other metal powder is sprinkled over motifs drawn in lacquer.
  • Subjects range from traditional designs and scenes of nature to geometric patterns, creating a finely detailed decorative finish.
Meet the Maker

MEET THE MAKER

Meet the Maker

MAKER · YAMANAKA, ISHIKAWA

Yamanaka Lacquerware, Seen Through a Floral Eye

YUIYU brings together the perspective of floral design and the accumulated skills of Yamanaka lacquerware. The brand explores organic forms inspired by nature and new possibilities in color through wooden lacquerware for contemporary interiors and daily life.

Portrait of a smiling woman in a white blouse.
Naoko Tanabe, Connecting Flowers and Craft

Naoko Tanabe is the floral designer behind YUIYU. She developed the brand to connect the traditions of Yamanaka with contemporary life, and to bring attention to the people whose work is often present in an object but absent from its story.

During the brand's development, Tanabe traveled repeatedly between Tokyo and Yamanaka Onsen. Color and form were not settled on paper alone. They were refined through prototypes and conversations with the craftspeople who understood how different woods, tools, and layers of lacquer would respond. When a color appeared uneven or brighter than intended, or a shape needed to work better in the hand, the design returned to the workshop for another round of judgment.

Many Hands, One Object

Yamanaka lacquerware is built through specialized work. One person may turn the wooden form on a lathe; others may refine lacquer, prepare the ground, or apply and wipe successive layers. YUIYU’s lacquerware takes shape through this collaboration among specialist craftspeople.

Techniques passed down in Yamanaka lacquerware include rokuro-biki, or lathe turning, which shapes the wood; sensuji, which creates fine grooves on a rotating surface; and fuki-urushi, in which lacquer is repeatedly applied and wiped back to reveal the wood grain. These techniques reflect specialist knowledge of wood and lacquer, together with the careful judgment of craftspeople.

Tradition as a Living Relationship

The name YUIYU repeats the Japanese character *yui*—to bind or connect. It expresses a wish to connect people, nature, culture, and the skills held in Yamanaka Onsen. The aim is not to make tradition appear modern by removing its history. It is to create a new reason for that history to remain in use: at the table, in a room, and in the rituals of everyday life.
Shipping Information

Shipping to the United States

We currently ship online orders to all 50 U.S. states and Washington, D.C., including Alaska and Hawaii. U.S. territories and countries other than the United States are not currently included.

Estimated arrival

Estimated arrival is usually within 5–10 business days after payment and order confirmation. This is an estimate and not a guaranteed delivery date. Timing may vary because of the destination, carrier conditions, customs review, weather, remote-area service, or other circumstances outside our reasonable control.

Shipping charges

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Duties and import taxes

U.S. orders are shipped on a Delivered Duty Paid (DDP) basis, regardless of order value. Where duties, import taxes, or related import charges apply, the amount collected by BRAND JAPAN is shown at checkout. You should not ordinarily be asked by the carrier to pay those charges again upon delivery. If a carrier requests an unexpected import payment, do not pay it immediately; contact us with your order number and the carrier's notice.

Damage or incorrect delivery

If the parcel or item arrives damaged, contact us within 48 hours of delivery. For an incorrect or incomplete order, contact us within 14 days. Keep the item, outer box, inner packaging, and shipping label, and prepare photographs showing their condition. Do not return an item until we provide instructions.

Read the full Shipping Policy for carrier, address-change, delay, and undeliverable-shipment details.

Questions? Email store@brand-japan.ne.jp. Support hours are Monday–Friday, 10:00–18:00 Japan Standard Time, excluding Japanese public holidays.

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