[Yamanaka Lacquerware] RIN Bowl S Hyacinth
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PRODUCT DETAILSA light wooden bowl with a gently undulating rimRIN Bowl S Hyacinth brings an undulating rim to a compact Yamanaka lacquerware form. Measuring 105 millimeters across and 50 millimeters high, the 35-gram bowl is made from natural kobushi wood with a...
PRODUCT DETAILS
RIN Bowl S Hyacinth brings an undulating rim to a compact Yamanaka lacquerware form. Measuring 105 millimeters across and 50 millimeters high, the 35-gram bowl is made from natural kobushi wood with a lacquer coating. Supplied photographs reveal subtle turning lines, visible grain, and a dark finish that shifts gently with the light.
USE & APPRECIATION
At an individual place setting, the bowl’s 105-millimeter width creates a compact visual focus without crowding nearby tableware. Its 50-millimeter height keeps the interior and gently changing rim easy to see. After use, clean it by hand and do not leave the lacquered wood submerged for a prolonged period.

Hold the empty bowl with both hands and its scale becomes immediate: a 35-gram body, a rounded base, and a rim that opens into a softly squared outline. The supplied photographs place the vessel close to the body, allowing the wall’s curve and subtle turning lines to be appreciated at a natural distance.

Between uses, leave the clean bowl empty on an open shelf where the changing rim and interior grain can be viewed from slightly above. The named Hyacinth finish gives the compact form a dark, restrained presence. Keep the lacquerware indoors for longer display and protect it from direct sunlight.

Outdoor use is marked as permitted, so the bowl may join a temporary table setting in a shaded, supervised place. Direct sunlight remains explicitly prohibited. Set the lightweight vessel on a stable surface, bring it indoors after the occasion, and do not place it in a refrigerator or freezer.

Turn the clean, empty bowl over briefly to see the small YUIYU mark photographed on its base. The mark sits against visible wood grain, adding a discreet point of identification without interrupting the bowl’s restrained surface. Support the rim and base together, then return it gently to a stable surface.

A close supplied photograph places the bowl and wooden spoon near the camera. The undulating rim and compact scale remain visible while the adult model’s hands show how lightly the 35-gram vessel can be supported. The person is not identified as the maker; the image is used only as a lifestyle view.

Seen from farther back, the model holds the small bowl and spoon at chest height against a quiet interior wall. The broader framing preserves a clear human scale reference and lets the vessel read as a compact personal object, while avoiding any claim about the model’s identity or a particular food.

A wider portrait shows the full upper body and surrounding wall while keeping the bowl visible in both hands. This distance makes the object’s 105-millimeter breadth and 50-millimeter height easier to understand without enlarging it, and retains the supplied scene as a straightforward record of use and scale.

With the face outside the frame, the bowl becomes the visual center between two hands. The supplied photograph brings the outer wall, dark lacquered finish, and subtle horizontal turning lines into closer view, while the softly blurred interior setting keeps attention on the object and its scale.

OBJECT PASSPORT / CARE & USE

After use, clean the bowl promptly by hand with a soft cloth or sponge, then dry it before indoor storage. Do not use a dishwasher, microwave, oven, induction cooktop, refrigerator, or freezer. Outdoor use is permitted only with care; keep it in shade, away from direct sunlight, and do not leave it submerged.
OBJECT PASSPORT
The underside bears the YUIYU mark shown in the supplied photographs.
CRAFT HERITAGE
Yamanaka Lacquerware dates to the late 16th century, when a group of woodturners moved into the area in search of suitable timber and began shaping wood on lathes. The craft became established around Yamanaka Onsen.
By the middle of the Edo period, artisans were making everyday objects such as bowls and trays, as well as souvenirs for visitors to the hot-spring town. Lacquering and maki-e techniques were introduced in the early 19th century, laying the foundation for the raised Yamanaka taka-maki-e practiced today.
HOW IT’S MADE
Yamanaka Lacquerware is made through four principal stages: forming the wooden body, preparing the foundation, applying the final lacquer coat, and adding maki-e decoration.
Properly dried wood and precise turning help prevent distortion.
Although the foundation is hidden in the finished piece, it supports both the vessel's strength and the quality of the final lacquer surface.
The lacquer is built up through repeated coating and sanding, with curing carefully managed in response to humidity and weather.
MEET THE MAKER
MAKER · YAMANAKA, ISHIKAWA
YUIYU brings together the perspective of floral design and the accumulated skills of Yamanaka lacquerware. Its official concept describes organic forms learned from nature and new experiments in color, expressed as wooden lacquerware for contemporary interiors and daily life.

Naoko Tanabe is the floral designer behind YUIYU. She developed the brand to connect the traditions of Yamanaka with contemporary life, and to bring attention to the people whose work is often present in an object but absent from its story.
During the brand's development, Tanabe traveled repeatedly between Tokyo and Yamanaka Onsen. Color and form were not settled on paper alone. They were refined through prototypes and conversations with the craftspeople who understood how different woods, tools, and layers of lacquer would respond. When a color appeared uneven or brighter than intended, or a shape needed to work better in the hand, the design returned to the workshop for another round of judgment.
Yamanaka lacquerware is built through specialized work. One person may turn the wooden form on a lathe; others may refine lacquer, prepare the ground, or apply and wipe successive layers. YUIYU makes that collaboration part of the story rather than hiding it behind a single name.
Rokuro-biki, or lathe turning, gives the wood its balanced form. Fine sensuji lines may be cut into a rotating surface, creating rhythm through minute, repeated grooves. With fuki-urushi, lacquer is applied and carefully wiped back in repeated stages, allowing the grain of the wood to remain visible. The apparent simplicity of the finished object rests on a sequence of specialized decisions.
The name YUIYU repeats the Japanese character *yui*—to bind or connect. It expresses a wish to connect people, nature, culture, and the skills held in Yamanaka Onsen. The aim is not to make tradition appear modern by removing its history. It is to create a new reason for that history to remain in use: at the table, in a room, and in the rituals of everyday life.
Distance becomes smaller when the collaboration remains visible. Portraits and workshop photographs show the people and place behind YUIYU, while views of turning, sensuji carving, and fuki-urushi explain how specialist skills meet in one object. Together they make the brand’s division of labor visible without reducing the work to a single name.
We currently ship online orders to all 50 U.S. states and Washington, D.C., including Alaska and Hawaii. U.S. territories and countries other than the United States are not currently included.
Estimated arrival is usually within 5–10 business days after payment and order confirmation. This is an estimate and not a guaranteed delivery date. Timing may vary because of the destination, carrier conditions, customs review, weather, remote-area service, or other circumstances outside our reasonable control.
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U.S. orders are shipped on a Delivered Duty Paid (DDP) basis, regardless of order value. Where duties, import taxes, or related import charges apply, the amount collected by BRAND JAPAN is shown at checkout. You should not ordinarily be asked by the carrier to pay those charges again upon delivery. If a carrier requests an unexpected import payment, do not pay it immediately; contact us with your order number and the carrier's notice.
If the parcel or item arrives damaged, contact us within 48 hours of delivery. For an incorrect or incomplete order, contact us within 14 days. Keep the item, outer box, inner packaging, and shipping label, and prepare photographs showing their condition. Do not return an item until we provide instructions.
Read the full Shipping Policy for carrier, address-change, delay, and undeliverable-shipment details.
Questions? Email store@brand-japan.ne.jp. Support hours are Monday–Friday, 10:00–18:00 Japan Standard Time, excluding Japanese public holidays.
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